Paul Naschy plays a hunchback with below average intelligence who works at the morgue. He is in love with a sickly girl who happens to be the only person who is kind to him. Each day he brings her flowers until the day she dies. He never really accepts her death and believes she is just sleeping. The girl eventually ends up at the morgue where she is being prepared for burial. Naschy's character flips out at the desecration of the girls body and stabs and decapitates the men in the only scene of gore in the movie. The police begin to look for him. This is when the Hunchback meets up with a mad scientist who's work isn't accepted by the general society. The scientist promises the Hunchback that he would re-animate the girl's body if the Hunchback brings him fresh bodyparts from the graveyard and live victims. He uses the parts to create a monster.
A psychic who can read minds picks up the thoughts of a murderer in the
audience and soon becomes a victim. An English pianist gets involved in
solving the murders, but finds many of his avenues of inquiry cut off by
new murders, and he begins to wonder how the murderer can track his
movements so closely.
The corpse of reporter Gregory Moore
is found in a Prague plaza and brought to the local morgue. But Moore
is actually alive, trapped inside his dead body and desperately
recalling how the mysterious disappearance of his beautiful girlfriend
led to a terrifying conspiracy of depravity. Can a reporter with no
visible signs of life solve this perverse puzzle before he meets his
ultimate deadline?
a.k.a. "I corpi presentano tracce di violenza carnale"
Someone is strangling coeds in Perugia. The only clue is that the killer
owns a red and black scarf, and police are stumped. American exchange
student Jane and her friends decide to take a break from classes by
going up to Danielle's uncle's villa in the country. Unfortunately the
killer decides to follow, and the women begin suffering a rapid
attrition problem.